New Grisham novel arrives in bookstores
Published: Tuesday, January 18, 2005 at 6:01 a.m.
Last Modified: Monday, January 17, 2005 at 10:12 p.m.
Big bucks at the box office ... or not?
Every Grisham novel is an instant best-seller, but over the years, many Grisham movies have been critical or box-office disappointments.
Longtime Grisham fans will be glad to know that in "The Broker" he's returned to the formula that invigorated some of his most popular books, like "The Firm," "The Pelican Brief" and "The Client." This is one of his David-and-Goliath fables - a little guy battling a powerful, deadly enemy.
This time, the little guy is a former big shot: Joel Backman, once the wheeling-and-dealing-
est lawyer in Washington. Backman's brilliant career came to a halt when he got involved with a scheme to peddle some spy-satellite technology to the highest bidder; several people wound up dead, and Backman wound up in prison. Now, after six years in solitary confinement, Backman is being offered a presidential pardon and relocation to Italy, where he'll take on a new identity.
The catch is that the CIA is setting Backman up as a target. They want to see who wants him dead. The Russians? The Chinese? The Israelis? The Saudis? Once they know this, then they'll know who's really in control of the mysterious satellite.
The spy-satellite stuff is what Alfred Hitchcock called a McGuffin - the thing that sets the plot in motion but you can forget about once it does. No one really cares or remembers exactly what it is that causes Cary Grant to be pursued by a crop-dusting plane and wind up hanging from Mount Rushmore in "North by Northwest." It was just a McGuffin. But "The Broker" is no "North by Northwest." It's more like "Torn Curtain," one of those formulaic and unconvincing movies Hitchcock made in his last years.
The tension of the plot hinges on what we know that Backman doesn't - and on what he's going to do when he finally figures it out. To create tension, Grisham has to make us care what happens to Backman, and that's a large order, given that the guy was originally a workaholic, womanizing, amoral sleaze who has somehow - and the somehow is never presented to us clearly - turned into someone we want to root for.
Characterization has never been Grisham's forte, and it still isn't. The only way to give most of his characters substance is to find somebody to play them in your imagination. In this case, Backman is a role for a 50-something stalwart who can play attractive damaged goods - Richard Gere or Jeff Bridges, perhaps. Once you've got the novel cast, you can proceed.
But the most serious flaw is that Grisham never makes us believe that any of the novel is taking place in the real world. In his best books, Grisham's heroes battled some convincingly hissable bad guys: racists, polluters, insurance companies, the tobacco industry. These were villains about whom he and the reader could have strong feelings; they were real to us.
But the villains of "The Broker" are shadowy spies and international assassins; they come from a world that Grisham obviously doesn't know firsthand, and consequently they radiate little menace.
Moreover, the novel takes place in some alternate universe in which the Sept. 11 attacks apparently didn't happen, in which al-Qaeda and global terrorism are not a threat. It's a world with easily crossed borders and no Homeland Security alerts, where you can readily buy an unhackable, safely encrypted telecommunications system off the shelf. The world of "The Broker" seems sadly irrelevant to our own.
Despite that serious flaw, Grisham can be an engaging writer. Once you've started the book you're not likely to give it up - he still has the knack of creating suspense, and you don't feel too bummed out when the payoff is feeble.
He can also be very funny. The opening chapter presents us with an American president so inept and unpopular that in his re-election bid he lost every state except Alaska, the only state he didn't visit during the campaign - and he won it by a 17-vote margin after a recount. President Morgan and his dysfunctional first family were so entertaining that I almost hoped the novel was going to be about them.
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